Organized in 1998 by Soros Foundation Kazakhstan
Board members:
Erkin Mergenov
Kamilla Li
Galim Madanov
Alim Sabitov
Executive Director Valeria Ibraeva
Kazakhstan, Almaty, 480021, Tulebaev st. 171
Tel: 7 (3272) 69-66-25; fax: 7 (3272) 69-66-50
e-mail: scca@scca. samal. kz
http://www.samal.kz/~scca
9am-6pm, daily except Saturday and Sunday
The Soros Center for Contemporary Art (SCCA) is a member
and co-founder of ICAN (International Contemporary Arts Network Association)
that was registered in Amsterdam in 1999. The ICAN system is designed to stimulate
development of the newest movements in arts, to advance integration processes
in international artistic community. The SCCA is searching for ways to solve
to achieve these purposes while developing five directions in its mainstream
activities:
- Access to information: library, video-library, Internet and email for
visitors, the Center’s archive (comprehensive information on Kazakhstan
artists), and information desk. The SCCA’s website (www. samal. kz /~scca) contains information on the latest
in the world culture, information on and critical reviews of the art life
in Kazakhstan and Central Asia.
- Educational programs of the SCCA, organization of seminars, conferences,
master-classes and round table discussions on theoretical and practical
aspects of contemporary art, such as, for example, seminars titled “An
Open Museum: Strategy of Survival”, “Artistic Critique and Theory
of Interpretation”, master-classes “Two in One: The Art of New
Media”, “NetArt project”, conferences “Avant-garde
and Asia”, “Art at the Turn of Millennium”, round tables
“Culture and Authority”, “Mass Media and Contemporary
Art” etc.
- MultiMediaCenter of the SCCA is a laboratory where visitors can work
on their media, audio- and video-projects. Additionally, this is also a
place where work is being done on assembling video-archives, video-films,
CD-catalogues, maintaining the website of the SCCA as well as designing
and publishing booklets, digests and catalogues demanded by the SCCA and
the community at large.
- Exhibitions, events, presentations. The SCCA organizes concerts, poetry
evenings, and experimental exhibitions. These can be either quite large
events such as Annual Exhibitions or very small one-two day-long events
like “Spirit’s Feast” (Book as an Artist’s Object) exhibition
or “Soviet Lenin’s Internet”, which was an exhibition of small
tablets from the Soviet times accompanying a presentation of the SCCA’s
website or an electronic music concert.
- International programs. The SCCA helps the artists and art professiaonals
to search and establish contacts with colleagues and cultural organizations
abroad, and to take part in various exhibitions (e. g. , duet “Zitable”
and Erbosyn Meldibekov participated in “Politik-um” exhibition
in Prague). The SCCA also organizes exhibitions of contemporary art in different
countries, such as “No mad’s land” in Berlin (jointly with the
House of World Cultures) or “Trans Forma” in Switzerland (jointly
with CCA-Geneve and the Nawao Production Fund).